I’m glad some film makers still put their money in projects like this. It keeps the non-commercial stream of Cinema alive, the stream in which artistics decisions are backed by artistic reasons, rather than by mass-Junta’s acceptance. In short, Anwar is an artistic expression that doesn’t conform with typical cinema but is a pleasant change from the routine.
The movie is set in Uttar Pradesh and the storyline is a simple one: a muslim youth (Anwar) stops to rest at an old temple and is wrongly perceived to be a terrorist holding up a Hindu place of worship. The narration shuttles between Anwar’s present and past, between which there’s no connection apparently. In snapshots from his past, we see his relationship with a Hindu friend (Udit) and how his friend looks at his community, as an outsider. His past also has a failed love angle, and also his relationship with another friend (Master Pasha), who’s happens to be a struggling actor. His present is focussed on the scene of action: a temple where he’s sought shelter, surrounded by media, politicians and the police who all believe he’s a terrorist. The movie also has some sub-plots going on, in the politician’s, journalist’s and the cop’s lives.
There a sequence in the movie which appears between scenes and shows Anwar dressed as Krishna running behind the girl he loves (Mehru), who’s dressed as Radha. This scene has been shot very artistically and creates a good hand-over between Anwar’s past and present.
But it isn’t these plots (which are simple everyday stories) that make a statement, it’s actually the backdrop against which the film is shot! The movie takes a bird’s eye view of current times, and shows the idiosyncrasies of today’s society. The reflection, in my view, is a tight slap on our faces, well deserved by today’s media, politicians and citizens. Realization is the first step to corrective action, and reflections like these are ugly but most effective.
The movie in its backdrop covers multiple topics:
- Attitude towards minority communities
- Politicians and political groups creating News for gaining mileage, making issues where none exist
- The Media reporting what the perception is, instead of digging up what the reality is
- The cops who’re puppets in hands of politicians and their goons
- Moral policing by political groups
Sidharth Koirala, as Anwar, looks more pretty than his sister Manisha Koirala (LOL), who plays the role of the jornalist Anitha in the movie. Sudhir pandey does an OK role as the politician. Vijay Raaz (as Master Pasha) and Yashpal Sharma (as the cop) are brilliant, as always. Nauheed Cyrusi plas the role of Mehru, who’s the girl Anwar loves.The only thing I didn’t like in the movie: certain dialogues and sequences were stretched too much beyond what was required, which was breaking the flow. I expect movies like these to be very concise and crisp, which wasn’t the case at several points in the movie. Also, Rajpal Yadav’s character (Gopinath) wan’t needed at all in the movie and was irritating.
Overall, a beautiful movie, Go watch it!